McCaskill described “A Strange Loop” as a “very meta-musical.” A meta-musical is theatrical commentary about stagecraft. “It’s about a Disney usher whose name is “Usher,” and he’s writing a musical about an usher writing a musical,” commented McCaskill.
The word of God is impactfully dramatized in “Genesis..From Creation to Christ,” a stage play written and directed by Rodney Potts.
Presented by CBG Arts & White Hall Arts Academy, on Saturday, April 13th, guests filled the Hudson Theatre Coffee Shop in Hollywood to enjoy writer and director Brandon Rainey’s (B Rainey Productions) latest production, Love Game. This urban stage play was written by Rainey, production managed by Howard University Alumni Jonathan Lucas, and featured a very talented cast.
The North American tour of “A Soldier’s Play” made its premiere at the Center Theatre Group / Ahmanson Theatre in Los Angeles on Tuesday, May 23, and will play until June 25.
“Good Mourning,” is a one-man play that digs into grief, trauma, loss and mental health.
The complex story takes a turn for the worst as their traumatic past is confronted.
The school for the performing arts brings a classic musical with a twist to Los Angeles Southwest College.
The play is performed, directed, and written by Santiago-Hudson with live music by blues guitarist Chris Thomas King.
Veronica Loving wrote and self-published a book called “Feeding A Monster” with her daughter Jazzmine Jackson detailing their experience with Sexual assault and domestic violence at the hands of her husband of 21 years to start on the road of recovery.
Feb. 15-Mar. 25 Boston Court Performing Arts Center presents a reimagined modern take of Tennessee Williams’ “A Streetcar Named Desire” (February 15 – March 25, 2018; press opening, February 24). This radical re-envisioning of Streetcar will feature a multicultural cast and modern setting, pushing on the play’s present-day relevance. This new production looks at Blanche’s behavior in the context of current events and not in a theatrical vacuum, especially given the storied history of this play. A “Streetcar Named Desire” is made possible through the generous support of The David Lee Foundation. Tickets, priced from $20 – $39, are available
Feb. 15-Mar. 25 Boston Court Performing Arts Center presents a reimagined modern take of Tennessee Williams’ “A Streetcar Named Desire” (February 15 – March 25, 2018; press opening, February 24). This radical re-envisioning of Streetcar will feature a multicultural cast and modern setting, pushing on the play’s present-day relevance. This new production looks at Blanche’s behavior in the context of current events and not in a theatrical vacuum, especially given the storied history of this play. A “Streetcar Named Desire” is made possible through the generous support of The David Lee Foundation. Tickets, priced from $20 – $39, are available
Now-Dec. 17 The World Premiere of ONE WAY TICKET TO OREGON written by B.C Caldwell, produced by BC Caldwell and Jeremy Aldridge, and directed by JJ Mayes is being presented as an Equity Approved Showcase at the The Promenade Playhouse. When Leigh Anne receives the diagnosis that her cancer has returned and spread to her pancreas, she’s forced to confront her mortality and how it will affect her son Bobby, who relies on her stability, his unstable wife Eve, and her young grandson Duke, who has autism. As she wrestles with her faith, unresolved issues of race and heritage threaten