“The Last Repair Shop,” directed by Ben Proudfoot and Kris Bowers, and produced by Proudfoot, Bowers, Jeremy Lambert, and Josh Rosenberg, is one of the best short documentaries that I’ve ever seen — and I’ve seen a lot.
What makes “Respect” is that this great artist struggled and it was that energy that shaped Franklin’s signature sound.
Motherhood So White is more than a great read, it’s an insider’s view of adoption and foster care from the perspective of an accomplished, unmarried woman of African descent.
In theaters and on Digital and On-Demand on June 19, 2020.
First-time feature filmmaker Rapman has schooled Generation Z with a cautionary urban tale that is both raw and affecting.
If tension, fear and good performances were all it took to make a satisfying thriller, “Underwater” would be complete.
It’s hard not to use a lot of glowing adjectives to describe the beauty and the impact of the story and how the director chooses to tell it.
Ladj Ly‘s stark realism, also exemplified by his documentary-style filmmaking, is fairly evocative for 102 minutes and gives the film a soul.
Look back on the most noteworthy films of 2019 and they all display a diverse array of superb talent—in front of and behind the camera.
“Gem of the Ocean” was a true display of emotion, and the connection an individual has to their past.
“The Last Whistle” is labor of love, and a touching one at that.
The group N.W.A. highly anticipated biopic, Straight Outta Compton, is a wonderful depiction of the group’s togetherness, troubles, and success.
Straight Outta Compton was such a wonderful success that it made $60.2 million opening weekend, according to Associated Press, making it the biggest opening for a musical biopic ever.