E. Mesiyah McGinnis

Rhoden And Richardson Pay Homage to Bowie And 24 Years Of Complexions

Stardust takes Bowie’s 40-year career catalog and provides a visual that only choreographer and Complexions Artistic Director Dwight Rhoden could create and master. Rhoden isn’t new to the concept of paying tribute to artists, having given tribute to the musical group U2 with “RISE,” set to a score by ’80s rock band, when they performed at the John Anson Ford Theatre back in 2013, along with local Black dance company Lula Washington Dance Theatre. According to his bio, Rhoden has lectured and held positions as “Artist in Residence” at universities around the U.S and has directed and choreographed for film, theater, and live performances including E! Entertainment’s Tribute to Style and Cirque Du Soleil and for artists including Prince, Lenny Kravitz, and Kelly Clarkson. Rhoden worked on the film One Last Dance, starring Patrick Swayze. Rhoden is a 1998 New York Foundation for the Arts Award Recipient and the 2001 Rhoden Choo San Goh Award recipient for Choreography.

Inglewood Fulfills Promise to Seniors as Center Opens

Hundreds of seniors came out to celebrate the grand opening of the new senior facility in the rapidly developing City of Inglewood, located on the N/E corner of Queen Street and Locust Ave. The seniors had been promised a new facility back in 2005 when the old building was demolished to make way for the new state-of-the- art senior center but construction happened. However, with a new regime of like-minded folks in City Hall, projects and being completed and new center is ready to serve the needs of community’s seniors.

Phylicia Rashad is Still Teaching Us About Life (& Death) in ‘Head of Passes’

On Sunday, September 24, The Mark Taper Forum presented the opening night of the Public Theater and Berkeley Repertory Theatre’s production of “Head of Passes,” headlining multi-award-winning (television and stage) actress, Phylicia Rashad, accompanied by a cast of adroit supporting actors with prestigious careers to boot.  Written by Tarell Alvin McCraney and directed by Tina Landau, the show’s program denotes the setting as “a house near to the Head of Passes, where the Mississippi River meets the Gulf of Mexico.” Without Google Maps, I’m figuring like the one of those Southern Bayou towns where gumbo rules.   The time period: “A

Young Dancer, Stunt Artist Fights for His Life & Career After Fall

According to Ms. Williams, Josh’s injuries are extensive; he needs repair of the popliteal artery that was only partially repaired, a torn peroneal nerve; every part of the knee was torn, ACL, PCL, Meniscus, LCL, and torn tendons in the thigh and leg.  According to Mrs. Williams, early on, Josh’s prognosis was so bleak, that doctors in Virginia told her there was nothing left to do, and to possibly find a nursing home for Josh to live in there.  “We, in turn, had a medical airplane fly him back to California, where he was admitted into Cedar Sinai, said Mrs.

Youssou N’DOUR Splashes Color and Righteous Conscience `Cross the Night at the John Anson Ford Amphitheater

By A. Scott Galloway, Contributing Writer On the warm, Sunday evening of August 6 in Los Angeles, international superstar Youssou N’DOUR and his sprawling ensemble of musicians and singers (plus one sensational local dancer) delivered the pulsating heart and soul of Senegal, West Africa to the recently renovated John Anson Ford Amphitheatre, nestled in the scenic Hollywood Hills. Arriving on his first stop in Southern California in over 6 years, N’DOUR was touring in support of his 34th and most recent recording, Africa Rekk (Africa and that’s final!). This recording marks his first in six years following highly honorable service