
‘Weep Not’ Explores Child Abuse and Redemption at PAFF
Two-time NAACP theater nominee and child-abuse survivor, Cheray O’Neal, has something to say and PAFF is serving as the film’s vessel
Two-time NAACP theater nominee and child-abuse survivor, Cheray O’Neal, has something to say and PAFF is serving as the film’s vessel
Ava DuVernay talks about her new film “Cherish The Day”
On Friday, after opening with the Inaugural Blackhouse Black Entertainment Critics Kickoff Breakfast, The Blackhouse Foundation joined Strayer Studios for ScriptED: Bring Learning to Life, the culmination of a nationwide competition to discover a talented, up-and-coming scriptwriter who can help bring real perspectives to Strayer’s Criminal Justice program. In an exciting and surprising twist, Karl McDonnell, CEO of Strategic Education, Inc. (SEI), the parent company of Strayer University, increased the prize awarded to scriptwriter contest winner Donald Dankwa Brooks from $10,000 to $25,000 and offered the remaining four finalists $10, 000 each.
The gripping production, written and directed by Frances-Anne Solomon, is inspired by the extraordinary and revolutionary life of Ulric Cross
“The Last Black Man in San Francisco” won multiple awards at Sundance Film Festival, however, at PAFF the movie will be presented in an intimate fashion.
The swanky black tie event brought out the best of Black Hollywood, making clear the meaning of unity, inclusivity and the power of Black artistry.
Brittany K. Jackson interviews Crystal Fox at the SAG Awards.
They first teamed up for Bad Boys in 1995, to great box office success. There was an encore in 2003, Bad Boys II, which was distinguished by incredible stunts. Now, Will Smith and Martin Lawrence go back to the same well one more time. Is there any water left?
Issa Rae’s quick comment after five men were announced as Oscar nominees for best director was spur of the moment, but for many captured the lack of diversity among this year’s nominees.
Festival organizers hope Lee will “shake things up” among the world’s cinema elite at the festival which runs May 12-23. And anti-racism campaigners hope Lee’s appointment wakes up the French cultural world to persistent discrimination and the damaging stereotypes it perpetuates.
If tension, fear and good performances were all it took to make a satisfying thriller, “Underwater” would be complete.
The Lucas Museum of Narrative Art, currently under construction in Los Angeles’s Exposition Park, is thrilled to announce its recent acquisition of the Separate Cinema Archive, which documents African American cinema history from 1904 to 2019. Encompassing more than 37,000 rare items, the archive includes a major selection of original film posters, lobby cards, film stills, publicity material, scripts, an extensive reference library, and more.
Black talent being shut out of the Golden Globes is not just a travesty but also a testament to the power of the work and the narratives being told that challenge the status quo. Why folks assume that awards shows invested in the same media industries that continue to perpetuate and recycle the vilest stereotypes of black identity and behavior would somehow acknowledge the stories, performances and behind-the-scenes work that challenges dominant ways of thinking about Black people on and off-screen is befuddling.
She’s made careers happen in an industry known for keeping doors shut to Black and Brown people.
It’s hard not to use a lot of glowing adjectives to describe the beauty and the impact of the story and how the director chooses to tell it.