Movies

The Blackhouse Foundation and Strayer University Name Donald Dankwa Brooks Winner of Scriptwriter Competition to Bring Real Perspectives on Criminal Justice to the Classroom

On Friday, after opening with the Inaugural Blackhouse Black Entertainment Critics Kickoff Breakfast, The Blackhouse Foundation joined Strayer Studios for ScriptED: Bring Learning to Life, the culmination of a nationwide competition to discover a talented, up-and-coming scriptwriter who can help bring real perspectives to Strayer’s Criminal Justice program. In an exciting and surprising twist, Karl McDonnell, CEO of Strategic Education, Inc. (SEI), the parent company of Strayer University, increased the prize awarded to scriptwriter contest winner Donald Dankwa Brooks from $10,000 to $25,000 and offered the remaining four finalists $10, 000 each.

FILM REVIEW: ‘Boys for Life’

They first teamed up for Bad Boys in 1995, to great box office success. There was an encore in 2003, Bad Boys II, which was distinguished by incredible stunts. Now, Will Smith and Martin Lawrence go back to the same well one more time. Is there any water left?

Cannes Does ‘Right Thing’ in Appointing Spike Lee to Lead

Festival organizers hope Lee will “shake things up” among the world’s cinema elite at the festival which runs May 12-23. And anti-racism campaigners hope Lee’s appointment wakes up the French cultural world to persistent discrimination and the damaging stereotypes it perpetuates.

Lucas Museum Acquires African American Film History Archive ‘SEPARATE CINEMA’

The Lucas Museum of Narrative Art, currently under construction in Los Angeles’s Exposition Park, is thrilled to announce its recent acquisition of the Separate Cinema Archive, which documents African American cinema history from 1904 to 2019. Encompassing more than 37,000 rare items, the archive includes a major selection of original film posters, lobby cards, film stills, publicity material, scripts, an extensive reference library, and more.

Golden Globe Awards Blackout — Travesty or Testament?

Black talent being shut out of the Golden Globes is not just a travesty but also a testament to the power of the work and the narratives being told that challenge the status quo. Why folks assume that awards shows invested in the same media industries that continue to perpetuate and recycle the vilest stereotypes of black identity and behavior would somehow acknowledge the stories, performances and behind-the-scenes work that challenges dominant ways of thinking about Black people on and off-screen is befuddling.