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11th Annual AAFCA Awards Raises the Bar for Representation in Hollywood
By Brittany K. Jackson, Contributing Writer
Published January 30, 2020

Jamie Foxx, Lil Rel Howery and Deon Taylor pictured behind the scenes at 11th Annual AAFCA Celebration Photo by Sheri Determan for AAFCA

Comedian Lil Rel Howery hosts 11th Annual AAFCA ceremony honoring the best in Black film and television. Photo by Sheri Determan for AAFCA

The African American Film Critics Association (AAFCA) recently held it’s 11th annual awards ceremony at the Taglyan Complex in Hollywood to celebrate some of the most notable performances, films and filmmakers of 2019. Hosted by comedian Lil Rel Howery, the swanky black tie event brought out the best of Black Hollywood, making clear the meaning of unity, inclusivity and the power of Black artistry.

Top awards for the evening went to Jamie Foxx for Best Supporting Actor in “Just Mercy,” while Eddie Murphy won Best Actor for his role as Rudy Ray Moore in “Dolemite is My Name.” Murphy’s counterpart Da’Vine Randolph won for Supporting Actress in the film. Actor Kelvin Harrison Jr. snagged Breakout Actor for his thrilling role in “Waves,” while NFL player turned filmmaker Matthew Cherry won Breakthrough Director of the year for his film “Hair Love.” The melanated horror film “Us” attained triple honors, winning for Best Film, Best Director, Jordan Peele and Best Actress, Lupita Nyong’o. Best animated film went to “Abominable,” while “Queen & Slim” took away the Impact Award.

Jamie Foxx receives Best Supporting Actor award at 11th Annual AAFCA celebration. Photo by Sheri Determan for AAFCA

Other honors included “Harriet,” which won the Stanley Kramer Social Justice Award, “Black Godfather,” which won for Best Documentary, “Last Black Man in San Francisco,” winning Best Independent Film and “Parasite,” which won Best Screenplay and Best Foreign Film along with “Atlantics.”

Kenny Leon was honored with the AAFCA Innovator Award, while Mr. Clarence Avant won the Game Changer Award. The Breakout Screenplay Award went to Stella Meghie, while Nija Kuykendall received the Ashley Boone Award. AAFCA also gave special honors to the women who made “Harriet” spectacular, which included leading actress Cynthia Erivo, director Kasi Lemmons, producers Debra Martin Chase and Daniela Taplin Lundberg.

Jordan Peele receives best director honor for the melanated horror film “Us” Photo by Sheri Determan for AAFCA

Queen Sugar’s Tina Lifford says AAFCA’s presence is important because their work is to “make sure that we acknowledge and celebrate the hard work and the stories of people of color.” Adding to that sentiment, AAFCA co-founder and President Gil Robertson says we as a people need not seek validation from other platforms during awards season, but rather embrace the process and progress happening with organizations like AAFCA. “You keep asking for something and they’re not giving it to you, so take from the people who are,” he said.

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In Jamie Foxx’s acceptance speech, he spoke about the core of the film “Just Mercy” and what it means to him personally. The actor reflected on the story of his father being sentenced to seven years in prison for twenty-five dollars worth of an illegal substance, and the way it’s shaped his outlook on life as a Black man in America. “We deal with the perception of us, and that’s what we’re trying to knock down,” he said.

Melina Metsoukas and Lena Waithe accept Impact Award at 11th Annual AAFCAs Photo by Sheri Determan for AAFCA

Lena Waithe and Melina Matsoukas were also among those in attendance to accept their awards, with the dynamic duo sharing the importance of reclaiming Black narratives. “As a filmmaker who believes deeply in change, my purpose has been defined by impact, the ability to touch people, to affect minds and to have reach,” Matsoukas said. “It’s incredible to have your intention reinforced, and to be able to do so alongside my sister (Waithe), who creates waves even in low tides. This journey has been a gift,” she continued.

Making her directorial debut in film for “Queen & Slim,” the two-time Grammy award-winning music video director applauded Waithe for “her pen, mind and ability to move mountains.” For Waithe, who’s made her mark creating shows like “The Chi,” this film was “about all the sacrificial lambs that allowed us to be free,” she said. “I really wanted to take a page out of Emmitt Till’s mother’s book, which was to never let us look away from the ugliness of racism, we don’t have that luxury,” she declared.

Categories: Entertainment | Movies | News (Entertainment)
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