“And women shouldn’t have to make — no parent should have to make those choices. And I believe that we as a society are presenting a false choice if we say to individuals that you either can be a parent — and then the daughter of aging parents — or you can pursue your profession and continue with the work that you care about and love.”
First impression, Walter Mosley, author and consulting producer/writer on FX’s “Snowfall” for the past two seasons, has a distinctive and comforting voice. His cadence reminded me of jazz. He confessed that he doesn’t like his voice suggesting that it’s nothing special. I will agree to disagree.
The straw that broke the camel’s back, according to Kim Ives, writing for Haiti Liberte, was the apparent betrayal of President Moïse against the Venezuelans after their display of solidarity. On Jan. 10, 2019, in a vote at the Organization of American States (OAS), Haiti voted in favor of a Washington-sponsored motion to say that Nicolas Maduro was “illegitimate,” despite winning an election in May 2018 with over two-thirds of the vote.
Soca Music King Machel Montano, Reggaeton Superstar Jory Boy and International Brazilian Performer Mariene De Castro will perform in the Hollywood Carnival Culture Village where the parade ends at 6800 Hollywood Blvd, LA, 90028 from 12 noon to 9 PM along with other exciting performances.
Events taking place from Thursday, June 21st to Sunday, June 24th.
If more than 21 named tropical cyclones occur in a season, any additional storms will take names from the Greek alphabet.
In a tribute to the recent passing of African American photographer Tony Gleaton, the California African American Museum (CAAM) is pleased to announce its latest exhibition, “The African Legacy in Central America: Tony Gleaton’s Photographs from CAAM’s Collection,” on view through March 20, 2016. The exhibition features 20 black and white photographs from CAAM’s collection that explore the African legacy and diaspora in Central America. Focused on Belize, Costa Rica, Guatemala, Nicaragua and Panama, the exhibition serves to spark a conversation about the historical and sociological development of racial identity. Over the course of his career, Tony Gleaton (1948 –