NAACP Image Awards Committee Chairman Leonard James, III Goes One-On-One
The 49th annual awards telecast hosted by Anthony Anderson
Airs Live January 15th — MLK Day
The 49th annual awards telecast hosted by Anthony Anderson
Airs Live January 15th — MLK Day
Premieres Tuesday, November 21, at 10 p.m. ET/PT on OWN
Vanessa Morrison’s films have grossed more than $3 billion at the box office. Now as President of Fox Family—a newly-created division—she might make inclusion in children entertainment a reality.
In another, Rasheed is an ambitious architect who has been living the American dream, working his way up the corporate ladder.
My character is a bit more of a counselor on the show. So, I can see things about people that they’re unable to see for themselves.
It’s a love story between father and daughter. I play the father.
This was the brainchild of Cuban-American tech whiz Izzy Morales (Otmara Marrero) and this idea brought all the wolves out for the hunt.
Wanting nothing more than to connect with his kids, but having no money to support them or himself, Tray falls back on the skills he learned in prison to make ends meet.
It celebrates an emerging artist with creative independence and includes a cash grant and mentorship from industry professionals and Institute staff.
Not bad for a mad-at-the-world punk rocker and a white hip-hop artist whose very charm is her underdog status.
I want to use this immersive experience to create projects for purpose.
The discussion was moderated by Dwandalyn Reece, curator of music and performing arts (NMAAHC) and Timothy Anne Burnside, curatorial museum specialist (NMAAHC).
He knows what anger and vendettas can do to a community and he is all too familiar with the sting of loss and the numbing feeling of watching his young friends and family die, murdered in the streets by his own people
“I Am The Blues,” directed by Daniel Cross, now available on VOD July 12th takes the viewer into the deep, back-roads of the South visiting the authentic juke joints and listening to the stories of the people who play, live and know the real roots of the blues.
The blues is a musical style—absolutely—but it’s a life style above-and-beyond and many of those who were eyewitness to the height of the blues are now at an advanced age.
Here is what “I Am the Blues” filmmaker Daniel Cross had to say about where to find the blues and why the blues are still hard to define.
LA Sentinel (LAS): Where are the best “blues clubs” in L.A. and NYC?
Daniel Cross (DC): I don’t have a good answer for this – I wish that I did. I hope to find out.
LAS; People often say that it’s very hard to define the blues or rather we all have our own version of the blues. What’s your definition?
DC: Blues is music that reflects on a person’s life: the joy, the misery the camaraderie. It is meant to be shared and to another person so the story can be shared and evolved.
LAS: Will the blues and places like those featured in the film find a new life? If so, how and where? If not—why not?
DC: The places in the film were old juke joints and do not operate on a true economic model; they are more labors of love, places of history that are passed down, and the operators/managers do it out of a sense of community and for the music. Today, in my time spent there, I did not sense a consistent flow of young people who were showing true interest or doing the work to keep these places alive. Perhaps, if there is an economic model attached that makes keeping the juke joints more profitable, then there will be people more interested in keeping them open. The way it looks to me, the old juke joints will find it hard to get a new life.
However, there are still many blues bars that operate like clubs and do just fine.
Legends are born and grown slowly and carefully. It might seem like the stuff of Hollywood lore but the truth about Tabay Atkins is exactly that—the truth—and the truth is much more fanciful than fiction.