Growing up in Los Angeles, Lo Williams never imagined she would one day help bring Disney’s “Frozen” to life onstage. Now, as assistant director of Children’s Theatre Company’s (CTC) original, non-replica production of “Frozen,” Williams is embracing the opportunity to help reshape a beloved story.
Though Williams’ father worked in film as a visual effects artist, she didn’t find her way into theater until high school.
“I grew up playing organized sports,” she recalled. “But when I took a theater class, it was a natural transition because theater is also about teamwork and a common goal.”
Directing struck a deep chord. “I always thought I would do well in teaching,” Williams said, “but when I directed my first show as a senior, I felt like the coach of a team — leading, supporting, and working together.” That experience ignited a passion she has pursued ever since.
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Working on “Frozen” has been an exciting leap in her career.
“What makes it exciting is the people in the room,” she said. “We’re working with departments I don’t usually get to collaborate with—like puppetry, special effects, and projections—and it’s amazing to see how everyone comes together to tell this story.”
But for Williams, it’s also deeply rewarding to work alongside young performers. In addition to her directing work, she often partners with a children’s nonprofit theater in Chicago.
“Children remind us to keep play and joy at the forefront,” she said. “They’ll find joy no matter what, and that inspires me to keep joy alive in the work we do.”
Williams credits Director Tiffany Nichole Greene with shaping this new vision for “Frozen.” “Tiffany is brilliant—she’s a genius,” Williams said. “She cares so much about the humanity behind the magic.” Greene’s approach focuses on the characters as real people searching for connection and belonging.
“She’s reminded me that characters like Oaken and the Hidden Folk are outsiders, yet they live joyfully at the margins of society,” Williams explained. “It makes me think about the people I know in my own community—how we’re all trying to make space for ourselves.”
Williams has been especially moved by the way “Frozen” focuses on sisterhood. As one of four sisters herself, she was emotionally struck when she first saw the movie.
“Siblings are the first friends you have, the first people you learn love from,” she said. “This production is about sisters finding themselves and each other again. That’s what makes it so powerful.”
For young artists, especially those from underrepresented communities, Williams offers heartfelt advice: start creating with what you have.
“Make the theater you want to see, even if it’s in a basement or library,” urged Williams.
“Find people who care about the same things and support each other. That’s how you grow —and one day, others will support your work too.”
As “Frozen” takes the stage in a new light, Lo Williams stands at the center of the creative process, proof that leadership, vision, and heart can turn a childhood love of storytelling into a career that inspires others.
