“Fields of Vision” Series Features 20th-Century Photographers
Three New Volumes Feature the work of Gordon Parks, Arthur Rothstein, Carl Mydans
The more than 172,000 black-and-white and 1,600 color images that comprise the Farm Security Administration Office of War Information (FSA/OWI) Collection at the Library of Congress offer a detailed portrait of life in the United States from the years of the Great Depression through World War II.
Selected images from the works of FSA/OWI photographers Gordon Parks (1912-2006), Arthur Rothstein (1915-1985) and Carl Mydans (1907-2004) are now featured in the Library of Congress series titled “Fields of Vision.”
These new titles join the first six volumes in the series, which feature the work of FSA/OWI photographers Russell Lee (1903-1987), Ben Shahn (1898-1969), Marion Post Wolcott (1910-1990), Esther Bubley (1921-1998), Jack Delano (1914-1997) and John Vachon (1914-1975).
Edited by Amy Pastan, an independent editor and book packager, and published by D Giles Ltd. in association with the Library of Congress, each volume in the series includes an introduction to the work of the featured FSA photographer by a leading author.
Headed by Roy L. Stryker, the government’s documentary project employed many relatively unknown names who later became some of the 20th century’s best-known photographers.
Gordon Parks, the only black FSA photographer, was “a Renaissance man,” writes Charles Johnson in his introduction to the volume. Parks was a writer, musician, poet, composer, photojournalist and motion-picture director, with many “firsts” to his credit. “The first black director in Hollywood, he opened the door for young auteurs, such as Spike Lee and John Singleton,” writes Johnson.
The youngest FSA photographer, Arthur Rothstein was “the truest child of the New Deal,” writes George Packer in his introductory essay. Fresh out of Columbia University with a belief in the government’s social improvement efforts, Rothstein planned to earn money for medical school. But after joining the government project, he changed his career path. By the age of 25 he was a staff photographer for Look magazine and eventually became its director of photography. He joined Parade magazine in 1972 as director of photography and remained there until his death in 1985.
A graduate of Boston University’s School of Journalism, Carl Mydans was an experienced photographer with credits in Time magazine when he joined the documentary project in 1930. He later moved to the new magazine Life, and on to a celebrated career as a war photographer. Says author Annie Proulx, “He identified himself as a photojournalist and his interest in the massive global events of the time became his life.”
Each 63-page, soft-cover volume in the series is available for $12.95 in bookstores throughout the U.S. and the UK, from D Giles Ltd. and the Library of Congress Sales Shop, Washington, D.C., 20540-4985. Credit-card orders are taken at (888) 682-3557, or shop on the Internet at www.loc.gov/shop/. Reproduction numbers are provided in the books so that reprints may be ordered through the Library’s Photoduplication Service.
Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions. Many of the Library’s rich resources can be accessed through its website at www.loc.gov and via interactive exhibitions on a personalized website at myLOC.gov.
The Library’s Prints and Photographs Division houses more than 14 million visual materials. More than 1 million digitized images are accessible on the Prints and Photographs Online Catalog at www.loc.gov/pictures/. These include the more than 172,000 images that comprise the FSA/OWI Collection (www.loc.gov/pictures/collection/fsa/). The collection’s 1,600 color images are also accessible on FLICKR, at www.flickr.com/photos/library_of_congress/sets/72157603671370361.